{"id":424,"date":"2012-02-12T14:50:39","date_gmt":"2012-02-12T14:50:39","guid":{"rendered":"http:\/\/bassdress.wordpress.com\/?p=424"},"modified":"2019-03-10T18:22:58","modified_gmt":"2019-03-10T18:22:58","slug":"vladislav-delay-interview-excerpt","status":"publish","type":"post","link":"https:\/\/bassdress.com\/blog\/2012\/02\/12\/vladislav-delay-interview-excerpt\/","title":{"rendered":"Vladislav Delay Interview Excerpt"},"content":{"rendered":"<blockquote--><p>I like the idea of the club, of techno music, all that. But mostly only in theory. In practice most of it falls too cheap on me. I like the creative thinking behind it, and the ideas and visions it gives me, but how it\u2019s executed today in this \u00fcber-commercial and very homogenous way totally kills me. I don&#8217;t find myself there happy or inspired, on the contrary I find myself unhappy and just stunned by the lack of ideas and freedom.<\/p>\n<p>There were moments in the late 90s, beginning of 2000s when there was really nice stuff coming out for a moment, before the Resident Advisor kind of electronic music dominance started, before electronic music became fashionable in the US. Labels like Chain Reaction, Richie Hawtin\u2019s Concept series, Mike Ink\/Studio1, Brinkmann, all this stuff I thought were really showing some light there which I though was very interesting. Besides Ableton live and everyone wanting to make music that sounds the same as the next guy\u2019s, I don&#8217;t know what happened and why it all died and became this homogenous pool of marketable music but I find it very depressing. It\u2019s depressing because I seem to not understand the process while most of the planet seems to enjoy the current \u201cclub\u201d developments. And I don&#8217;t particularly enjoy this position. That\u2019s why i feel so much disconnected from that scene and the music in general.<\/p>\n<p>Really interesting interview, a lot of sense being spoken. &nbsp;Read the rest of it <a href=\"http:\/\/www.vladislavdelay.com\/site\/?p=3338\" target=\"_blank\" rel=\"noopener noreferrer\">here<\/a>.<\/p>\n<\/blockquote-->\n","protected":false},"excerpt":{"rendered":"<p>\t\t\t\t<![CDATA[]]>\t\t<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[2],"tags":[],"class_list":["post-424","post","type-post","status-publish","format-standard","hentry","category-news"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/bassdress.com\/blog\/wp-json\/wp\/v2\/posts\/424","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bassdress.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bassdress.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bassdress.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bassdress.com\/blog\/wp-json\/wp\/v2\/comments?post=424"}],"version-history":[{"count":2,"href":"https:\/\/bassdress.com\/blog\/wp-json\/wp\/v2\/posts\/424\/revisions"}],"predecessor-version":[{"id":2377,"href":"https:\/\/bassdress.com\/blog\/wp-json\/wp\/v2\/posts\/424\/revisions\/2377"}],"wp:attachment":[{"href":"https:\/\/bassdress.com\/blog\/wp-json\/wp\/v2\/media?parent=424"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bassdress.com\/blog\/wp-json\/wp\/v2\/categories?post=424"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bassdress.com\/blog\/wp-json\/wp\/v2\/tags?post=424"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}