{"id":2901,"date":"2024-02-08T18:11:51","date_gmt":"2024-02-08T18:11:51","guid":{"rendered":"https:\/\/bassdress.com\/blog\/?p=2901"},"modified":"2024-02-09T11:57:41","modified_gmt":"2024-02-09T11:57:41","slug":"david-bowie-hearts-filthy-lesson-remix","status":"publish","type":"post","link":"https:\/\/bassdress.com\/blog\/2024\/02\/08\/david-bowie-hearts-filthy-lesson-remix\/","title":{"rendered":"David Bowie “Hearts Filthy Lesson” Remix"},"content":{"rendered":"\n

There’s a gulf of under appreciated work in Bowie’s career, somewhere between ’93 to 2000. To me this is some of the most experimental and nostalgia-less work Bowie ever did. It’s certainly some of my favourite, and I think it is very successful in decoupling Bowie for his earlier endeavours (for better or worse).<\/p>\n\n\n\n

With the development of new AI tools (Jesus Christ, have I really become a blogger who harps on about this AI bullshit now? Is that what this is?<\/em>), we can, and reasonably cleanly, separate the vocals from these session. Or indeed any session or recording.<\/p>\n\n\n\n

I wanted to build something from the 1. Outside album. Not traditional remixes, but sort of sound scapes that encompass the tone and atmosphere of the original recordings (I’ve completely disappeared up my own arse). Harsh and unforgiving. Experimental and inaccessible, but interesting. I want them to be challenging and unique. The acid test for this is to have a casual listener say the words “is this even music?!”<\/p>\n\n\n\n

With that in mind, here is my remix (I hate that word) of “Hearts Filthy Lesson”. It’s unfinished, unpolished, unmastered, and that’s how it’s staying. I think if I work any more it’ll lose its uniqueness.<\/p>\n\n\n\n

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