{"id":1976,"date":"2017-09-23T20:28:34","date_gmt":"2017-09-23T19:28:34","guid":{"rendered":"http:\/\/www.bassdress.com\/blog\/?p=1976"},"modified":"2019-03-10T19:35:17","modified_gmt":"2019-03-10T19:35:17","slug":"kh-question","status":"publish","type":"post","link":"https:\/\/bassdress.com\/blog\/2017\/09\/23\/kh-question\/","title":{"rendered":"KH "Question""},"content":{"rendered":"

Hey you! Do you want to read an uneducated opinion on a throwaway piece of music? Do you want to read a shoddily written article riddled with grammar and spelling* mistakes? Of course you do! Here it is.<\/p>\n

So there I was listening the radio as I drove back from the airport (a regional programme, of course!) when I heard this funky little tune. It’s nothing more than a soul loop and some drums, but it had a cool vibe. I thought “hey, Imma get me summa dat sheeeit”. So I did, and here we are.<\/p>\n

The record in question (lol) is “Question” buy KH, or Kieran Hebden, were more acquainted. So I got it home, slapped it on the turntable and enjoyed it a little bit. A little bit less than I was expecting to unfortunately.<\/p>\n

\"KH<\/a>

KH “Question” cover.<\/p><\/div>\n

You see, every time I listen to it I get a bit of a sinking feeling. A hollow feeling right in the pit of my stomach. A little voice in my head whispers “this isn’t good, mate” and “what’s this fucking shite, mate”. My inner monologue has a heavy Scottish accent, and as such is quite succinct and to the point. There’s just no messing with that cunt.<\/p>\n

You see, for as much as I like “Question” by KH, I know it’s not a good record. In actual fact, it’s exactly the type of record I fucking<\/em> hate. It takes a lovely, interesting loop from an old house track and puts some heavier drums underneath it (see: “Final Credits” by Midland). That’s it. Really, its about ten minute work and is woefully uninspired.<\/p>\n

KH didn’t write that cool little bassline, he didn’t write the vocals. He didn’t play those drums or orchestrate anything. He didn’t sing. KH was listening to some records, liked and section from one very much and said “Hey, I’ll put my name on that”. And that’s as far as it went.<\/p>\n

Then it was played on the radio and a load of fucking IDIOTS (myself included) ran out and bought it. There was no thought process from the artist or the public. The exchanged when as so:
\nKH: Here’s this shit piece of music I put together this weekend.
\nMe: Fuck me, I’ll buy that!<\/p>\n

Worse still, there’s a bunch of fucking weasel-fucks trying to flip it on Discogs.com for silly amounts of money. THE RECORD IS STILL IN SHOPS AND IS NOT FROM A LIMITED RUN<\/em>. And even if it was, it’s fucking bullshit boring house music.
\nI am annoyed. This is killing my vibe.<\/p>\n

So what am I going to do? I don’t know. I’ve depressed myself for the first time in a while here. I am genuinely disappointed that I was duped<\/em> into buying such a thing when I’d be better off listening to the original sampled records. I mean, fuck, the new drums aren’t even interesting…<\/p>\n

Well, in order to stop people paying inordinate amount of money for this below average record, here’s a copy. Listen with disappointment all of you fuckranauts…<\/p>\n

http:\/\/www.bassdress.com\/blog\/wp-content\/uploads\/2017\/09\/01.-Question-3.mp3<\/a><\/audio>
\nAll spelling mistakes and grammatical errors are intentional and for the sake of satire. Remember when we could just tell a joke because it was funny? Well now that’s ‘satire’.<\/p>\n","protected":false},"excerpt":{"rendered":"

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