{"id":1852,"date":"2017-01-29T15:26:20","date_gmt":"2017-01-29T15:26:20","guid":{"rendered":"http:\/\/www.bassdress.com\/blog\/?p=1852"},"modified":"2019-03-10T19:27:55","modified_gmt":"2019-03-10T19:27:55","slug":"untitled-render-04","status":"publish","type":"post","link":"https:\/\/bassdress.com\/blog\/2017\/01\/29\/untitled-render-04\/","title":{"rendered":"Untitled Render 04 "Color Adjust""},"content":{"rendered":"

Here’s a couple of tracks I made this weekend. Well, I say couple but one is a version of an older track called Piedmont.<\/p>\n

“Color Adjust” is a long, sprawling piece. Lots of texture and very deep bass pinning down fluttering rhythms. It has an effective key change that I really like, and just sonically I find it quite interesting. Beware there is a lot of dynamics in this track, and its most effective with a subwoofer present.<\/p>\n

\"Color<\/a>

Color Adjust<\/p><\/div>\n

“Piedmont Version” is a plodding, Moritz Von Oswald inspired remix of an ambient piece I posted here a while ago. I sampled everything from Piedmont in an MPC 4000 and tried to reimagine things a bit. This has sat on my HDD for a while now, but when I listened to it today I really liked it a lot. There’s something nice about it. I like the awkward rhythms and the overall deep feel around everything. Really hazy shit.<\/p>\n

Again, all analogue instrumentation – no VSTs or software tricks. In fact the only software used is Logic X, and that’s only to record the stereo outs on the compressor. That’s become quite important to me.<\/p>\n

Color Adjust
\nhttp:\/\/www.bassdress.com\/blog\/wp-content\/uploads\/2017\/01\/01.-Color-Adjust.mp3<\/a><\/audio>
\nPiedmont Version
\nhttp:\/\/www.bassdress.com\/blog\/wp-content\/uploads\/2017\/01\/02.-Piedmont-Version.mp3<\/a><\/audio>
\nYou can download them here: MP3 V0<\/a> 24BIT FLAC<\/a>]<\/p>\n","protected":false},"excerpt":{"rendered":"

\t\t\t\t\t\t<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[6],"tags":[148],"class_list":["post-1852","post","type-post","status-publish","format-standard","hentry","category-untitled-render","tag-untitled-render"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/bassdress.com\/blog\/wp-json\/wp\/v2\/posts\/1852","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bassdress.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bassdress.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bassdress.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bassdress.com\/blog\/wp-json\/wp\/v2\/comments?post=1852"}],"version-history":[{"count":3,"href":"https:\/\/bassdress.com\/blog\/wp-json\/wp\/v2\/posts\/1852\/revisions"}],"predecessor-version":[{"id":2451,"href":"https:\/\/bassdress.com\/blog\/wp-json\/wp\/v2\/posts\/1852\/revisions\/2451"}],"wp:attachment":[{"href":"https:\/\/bassdress.com\/blog\/wp-json\/wp\/v2\/media?parent=1852"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bassdress.com\/blog\/wp-json\/wp\/v2\/categories?post=1852"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bassdress.com\/blog\/wp-json\/wp\/v2\/tags?post=1852"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}