I told you I would finish when I got back from Italy. Amazingly, and in one in a million odds, everything in the studio worked today, so it all went quite smoothly. Of course, the Roland RE-201 did chew its tape but that’s what it does. It’s endearing I tell myself. It is.<\/p>\n
Having some free time today I opened up the Eminent 1600 organ that my good lady bought me (she’s an enabler) and decided to fuck around with the spring reverb. It’s noisy as hell, but sounds lovely. I can see myself weeding some more sounds out of this one. Oh, and the drum sounds! Oh man, I’ll need to make some recordings of them because they are so lovely. Completely analogue of course, but deep and grainy. I’ll use those soon too.<\/p>\n
![\"Eminent](\"https:\/\/i0.wp.com\/www.bassdress.com\/blog\/wp-content\/uploads\/2016\/10\/IMG_2961.jpg\")
Eminent 1600 Organ Spring Reverb Unit<\/p><\/div>\n
<\/a><\/p>\n
\n<\/a><\/a>
\nThe recording is very dense and disorganised. I really like this one. There’s not a lot of dynamics either, and what there is only exists through cutting instrumentation. It’s kind of mastered – and by that I mean I ran it through my ART Pro VLA II compressor a bit. This stuff doesn’t really need mastering now, and when it does I tend to mix into the mastering bus. You know, like a pro. A lazy pro.<\/p>\n
![\n<\/a>](\"http:\/\/www.bassdress.com\/blog\/wp-content\/uploads\/2016\/10\/IMG_2961.jpg\"){kind=link}