{"id":1101,"date":"2013-01-29T22:04:44","date_gmt":"2013-01-29T22:04:44","guid":{"rendered":"http:\/\/www.bassdress.com\/blog\/?p=1101"},"modified":"2019-03-10T17:43:32","modified_gmt":"2019-03-10T17:43:32","slug":"pusha-t-wrath-of-caine-mixtape","status":"publish","type":"post","link":"https:\/\/bassdress.com\/blog\/2013\/01\/29\/pusha-t-wrath-of-caine-mixtape\/","title":{"rendered":"Pusha T &quot;Wrath Of Caine&quot;"},"content":{"rendered":"<p>I waited a long time for Pusha T &#8220;Wrath Of Caine&#8221; &#8211; years in fact. I remember back when &#8220;NoMalice&#8221; was just &#8220;Malice&#8221;, the Re-Up Gang consisted of all four members, and Pusha was part the Clipse and not the G.O.O.D music marketing machine\u2122.<\/p>\n<p>Those days came and went, but Pusha always remained consistently interesting and consistently brilliant. Murdering MCs on their own tracks, dropping magic wherever magic fell.<\/p>\n<p>He retained integrity even after signing to a major label, and pairing up with the obvious charlatan Rick Ross more than once. Not an easy task.<\/p>\n<p>He seems like a nice guy in interviews too, like easy-going and care free. He can see the line between hip hop as a life style and hip hop as an art form.<\/p>\n<div id=\"attachment_1537\" style=\"width: 310px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.bassdress.com\/blog\/wp-content\/uploads\/2013\/01\/57bef8ac.jpg\" rel=\"attachment wp-att-1537\" --=\"\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1537\" class=\"size-medium wp-image-1537\" src=\"https:\/\/i0.wp.com\/www.bassdress.com\/blog\/wp-content\/uploads\/2013\/01\/57bef8ac-300x300.jpg?resize=300%2C300\" alt=\"Pusha T &quot;Wrath Of Caine&quot; mixtape\" width=\"300\" height=\"300\"><\/a><p id=\"caption-attachment-1537\" class=\"wp-caption-text\">Pusha T &#8220;Wrath Of Caine&#8221; mixtape<\/p><\/div>\n<p>I love the Clipse, I love the Re-Up Gang, I love Pusha. That&#8217;s why it pains me to say that his newest mixtape &#8220;Wrath Of Caine&#8221; is fucking <em>awful<\/em>.<\/p>\n<p>It&#8217;s a shallow and uninspired production. There&#8217;s a Jamaican flavour to everything which just doesn&#8217;t sit well along P&#8217;s lyricism. Not to mention Antony B and High Priest of the Antipop Consortium perfected it a decade ago. It&#8217;s just not relevant or edgy any more. &nbsp;If it was only the aesthetics that were misjudged on the record I could forgive it, but everything is off.<\/p>\n<p>The tracks are boring and horribly produced, the lyrics are lost in compression artifacts and digital clipping. Even the artwork is shit &#8211; five minutes of an intern using photoshop for the first time. It&#8217;s a mess. &nbsp;Pusha sounds as if he&#8217;s going through the motions, utterly uninspired and boring. He shows none of the wit, confidence or swagger we&#8217;ve taken for granted all this time.<\/p>\n<p>&#8220;Pain&#8221; isn&#8217;t on it. &#8220;Exodus 23:1&#8221; isn&#8217;t on it. &#8220;New God Flow&#8221; isn&#8217;t on it.<\/p>\n<p>Instead we get amateur backing tracks, plastered with bad takes of leftover verses. I can only hope that this is a case of P holding back the good stuff for the album, but now I&#8217;m not sure.<br \/>\nThe best track on &#8220;Wrath Of Caine&#8221; is Blocka. I didn&#8217;t much like Blocka.<\/p>\n<p>EDIT: Actually, in the cold hard light of day, and after adequate time to fully digest the thing &#8211; it&#8217;s not that bad at all. It&#8217;s not what I hoped for, especially the beats and production, but on the whole it&#8217;s not that bad. I don&#8217;t do the Jamaican thing, and Pusha is sounding a little formulaic now, but I can still roll with it. &nbsp;You know, if push comes to shove (You can take that line Terrence, royalty free.)<\/p>\n<p><strong>MILLI MILLIONS IN THE CEILING&nbsp;MILLI MILLIONS IN THE CEILING&nbsp;MILLI MILLIONS IN THE CEILING&nbsp;MILLI MILLIONS IN THE CEILING \/ CHOPPA CHOPPAS IN THE CLOSET&nbsp;CHOPPA CHOPPAS IN THE CLOSET&nbsp;CHOPPA CHOPPAS IN THE CLOSET&nbsp;CHOPPA CHOPPAS IN THE CLOSET&nbsp;<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\t\t\t\t<![CDATA[]]>\t\t<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3],"tags":[28,29,59,106],"class_list":["post-1101","post","type-post","status-publish","format-standard","hentry","category-reviews","tag-clipse","tag-coke-rap","tag-hip-hop","tag-pusha-t"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/bassdress.com\/blog\/wp-json\/wp\/v2\/posts\/1101","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bassdress.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bassdress.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bassdress.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bassdress.com\/blog\/wp-json\/wp\/v2\/comments?post=1101"}],"version-history":[{"count":2,"href":"https:\/\/bassdress.com\/blog\/wp-json\/wp\/v2\/posts\/1101\/revisions"}],"predecessor-version":[{"id":2311,"href":"https:\/\/bassdress.com\/blog\/wp-json\/wp\/v2\/posts\/1101\/revisions\/2311"}],"wp:attachment":[{"href":"https:\/\/bassdress.com\/blog\/wp-json\/wp\/v2\/media?parent=1101"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bassdress.com\/blog\/wp-json\/wp\/v2\/categories?post=1101"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bassdress.com\/blog\/wp-json\/wp\/v2\/tags?post=1101"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}